A unique arpeggiator, a revolutionary sound morphing feature and a large selection of new, charismatic effects add countless sound-shaping possibilities. FM8 - growl bass tutorial Music Pitch, Popular Artists, Music Theory, Teaching Music. The classic crystalline bells and keys are perfect for creating melodic and percussive sounds of the highest quality. Maybe i'm asking too much, but I love making the stereo field wider. FM8 offers an unprecedented range of features and effects. I also know that this producer uses FM8, so that is my dilemma.
My point is, that in the bass growl there is stereo imaging and how I know that is because I took the song and solo'd the side channel. Here's an example of growl bass at 1:18 in This song: Once you have it all set as in the image ( or get the patch. you are gonna want to set up FM8 as follows image 1 image 2.
I throw on ozone 5 imaging and i take everything below 250hz and make it mono, but it still sounds phasey and space sounding. FM8 Growl patch included So I made an growl bass in FM8 using info gleaned from the 'How To Bass' series by SeamlessR Not going to detail how or why anything works (if you need that info go watch some of SeamlessR's videos. So the only thing that can change the sound to stereo is by changing the voicing from 1 to 2 in the master section of FM8. But for the time of music that i make, I have heavy lower bass with upper harmonics. The beautiful thing about multi-band stereo imaging is that i can take an FM8 sound that has heavy bass, as well as a ton of upper harmonic content, and keep the bass mono. My point is, when i try to apply any vst plugin that can broaden the stereo image, FM8 is always set in mono. As for my meaning of stereo width, this is what i'm talking about.Ībove are two examples showing the stereo imaging. First of all, i appreciate that support your giving me for replying back a second time, thanks a lot.